I think it’s probably no secret that to the ‘entry level’ kimono buyer, Vintages are the way to go. Not only are they cheap but generally in good condition. Besides, it’s not as if traditional wear ever changes in style – not changing in style is what tradition is.
Take Yukatas. It’s a well known fact that these pieces do change in fashion in terms of their weaves, motifs, accompanying hairstyles and accessories. Not surprising when you consider that of all the types of Japanese traditional wear, the yukata is the easiest to wear and thus most accessible to the casual wearer. Recently, it appears that the motif of the season was the barabara yukata with much pink and purples and a hairstyle that you could nest a pigeon in.
Okay that was unfair, you can’t nest a pigeon in that hair.
Pigeons don’t need nests that big.
So does that mean that the Kimono has fallen into fashion limbo where changing tastes will no longer touch its beloved form?
If that were so, this would be a really short post.
Enter Jotaro Saito, the youngest kimono fashion designer and the only one willing to take the kimono and put it on the runway where it belongs. At 39, Saito is one of the youngest kimono designers, bringing many modern elements and twists to his design of the eternally elegant kimono. Gone are the loud colours that signified wealth of old. Colours chosen for his latest Marbling Collection are subtle, enhanced with geometric patterns and obis with equally subtle motifs. While his choice of colours might be subtle, there is a synthesis there that makes the whole ensemble eyecatching and so incredibly chic.
Needless to say… I WANT ONE!!!
There is so much to be said about his combination of geometric patterns, spaced out motifs on the shoulder and sleeves and the simple yet eyecatching motifs on the obi. I also love the thought of using grey jubans and synchronized tabi socks with matching zori. This might be just to highlight the kimono worn instead, but I think that makes it all the better. You wear the focal point. His 2009 collection called The Marbling (or Marbring but I don’t think he meant for it to be spelled that way) features those subtle hues with generally solid coloured obijime and obiage, also bringing the obidome back into fashion.
It is generally hard to find information about the kimono in Japanese Fashion Week, but by all accounts, Jotaro Saito is one kimono couture designer I’ll be following for a while.